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Bibliography of James H. Marrow Abbreviations Alfred Acres, Elsewhere in Early Netherlandish Painting; Jonathan J. Alexander, A Shepherdess on a Swing in a Netherlandish Book of Hours; François Avril, Un nouveau manuscrit de Jean Bourdichon: Les Heures de Charles de Martigny, évêque dElne; Gabriele Bartz, Adam wird ins Paradies getragen; Marina Belozerskaya, Good Dog: Model Canines in Renaissance Manuscripts; Adelaide Bennett, Christs Five Wounds in the Aves of the Vita Christi in a Book of Hours about 1300; Paul Binski, The Faces of Christ in Matthew Pariss Chronica Majora; Bodo Brinkmann, 'Happy End für einen Löwen; Klara H. Broekhuijsen, Ende ziet alomme int paradijs: Seths Vision of Paradise as Part of an Unusual Decoration Program in a Fifteenth-Century Book of Hours from Utrecht; Walter Cahn, The Allegorical Menorah; Bert Cardon, The Miroir de la salvation humaine Revisited: Bibliothèque Nationale de France, Ms. Fr. 3275; Debra Taylor Cashion, The Man of Sorrows and Mel Gibson; Albert Châtelet, Lenseignement paternel dans les Heures de Milan-Turin; Gregory T. Clark, Made In Flanders and the Master of the Ghent Privileges: A Second Coda; Henri Defoer, Images as Aids for Earning the Indulgences of Rome; Christopher de Hamel, Dates in the Giant Bible of Mainz; Albert Derolez, Two Notes on Mercatels Earliest Astrological Manuscripts; Mark Evans, The Afterlife of Saint Jerome: Giovanni Biliverts Portrait of Neri Corsini; Reindert L. Falkenburg, On Compositional Errata in Pieter Aertsens Peasant Scenes; Marc Gil, DItalie du nord en Artois, le portrait de saint Bernardin de Sienne des Heures dAntoine de Crèvecoeur, vers 14505 : Leeds, University Library, The Brotherton Collection, Ms. 4; Liz Guenther, Realism and Invention in the Prints of Albrecht Dürer; Jeffrey F. Hamburger, The Writing on the Wall: Inscriptions and Descriptions of Carthusian Crucifixions in a Fifteenth-Century Passion Miscellany; Christian Heck, Histoire mythique et archéologie au quinzième siècle: Une représentation inédite de Stonehenge; Lynn F. Jacobs, The Miraculous Threshold in Hugo Van der Goess Portinari Altarpiece; Eberhard König, Zur Wirklichkeit im Fensterbild der Kreuzannagelung des Wiener Stundenbuchs der Maria von Burgund; Joseph Leo Koerner, Boschs Enmity; Anne S. Korteweg, Framing the Issues: A Codicological Approach to Dutch Border Decoration; Thomas Kren, Simon Bening, Juan Luis Vives, and the Observation of Nature; Anne-Marie Legaré, The Reception of the Dresden Prayer Book Master in the Hainaut; Jean Michel Massing, Two Portolan Charts of the Mediterranean in Cambridge by Joan Martines and Estienne Bremond; Ruth Mellinkoff, Pilates Wife; Elizabeth J. Moodey, Historical Identity in the Burgundian Netherlands: The Role of Manuscripts; William Noel, William de Brailes in Baltimore, Paris, and Stockholm; Judith Oliver, A Bundle of Myrrh: Passion Meditation in French Vernacular Poems and Images in Some Liège Psalters; Peter Parshall, Penitence and Pentimenti: Hieronymus Boschs Mocking of Christ in London; Véronique Plesch, Sixteenth-Century Pictorial and Dramatic Religious Cycles in the French Alps: Time for the Renaissance Yet; Lilian M. C. Randall, To Have and to Hold: The Bridal Hours of Isabelle de Coucy; Kathryn M. Rudy, Fragments of a Mental Journey to a Passion Park; Jochen Sander, Anmerkungen zu Jan Gossaert; Lucy Freeman Sandler, Bedford in Brooklyn; Gerhard Schmidt, Die zwei Stile des Meisters des Friedrichsbreviers: Ein spätgotischer Buchmaler kopiert Stiche des Meisters ES; Diane Scillia, The Master of the Tiburtine Sibyls Raising of Lazarus (Mexico City, San Carlos Museum) and the Early Haarlem School of Painting Reconsidered; Larry Silver, Pox vobiscum: Early Modern German Art and Syphilis; Jeffrey Chipps Smith, Albrecht Dürer, Cardinal Matthäus Lang, and the Throne of Invention; Robert Suckale, Rogier van der Weydens Werkstatt: Zwei Fallbeispiele; Judith Testa, Simon Bening Studies Raphael: The Impact of the Italian High Renaissance on a Flemish Miniaturist; Anne H. van Buren, A Window on Two Duchesses of Burgundy; Hugo van der Velden, A Prayer Roll of Henry Beauchamp, Earl of Warwick; Dominique Vanwijnsberghe, Robert Campin et lenluminure: Trois miniatures attribuables à lentourage direct du peintre tournaisien; William M. Voelkle, Coins, Mussels, and a Crab in the Hours of Catherine of Cleves; Ursula Weekes, Engraving the Mind: An Illustrated Rapiarum of the Fifteenth Century; Roger S. Wieck, The Susanna Hours; W. C. M. Wüstefeld, Manuscript Painting in the Circle of the Master of Catherine of Cleves (ca 16350): Tradition and Context of Utrecht, Museum Catharijneconvent, Ms. ABM h15